World's Greatest Magic: Card To Wallet (DVD)

World's Greatest Magic: Card To Wallet

One of the most beguiling effects in magic is "card to an impossible location;" card to shoe, card to pocket, card through window, card on ceiling just to name a few. One of the most stunning of the card-to effects would be the card to wallet (CTW). This DVD is a treasure trove of CTW effects by some of the best magi in the world.

This DVD is yet another fine release in the World's Greatest Magic by the World's Greatest Magicians (WGMBTWGM) series. This is the third DVD that I have purchased in this series and it won't be the last. L&L Publishing have taken the best routines from their catalog and created a themed set of DVDs. Each DVD focuses on a particular form of magic; linking rings, ambitious card, zombie ball, stand-up magic, etc. Incredibly, these DVDs are typically priced at $16-$18 per DVD!



Tim's Tip: If you don't already have a wallet, buy this DVD first and then decide which style of wallet is going to work for you. Each magician uses a different style wallet so you may end up needing 2 or 3 different wallets to pull off each routine. Realistically, you're only going to be able to do one CTW in your show. So watch the DVD a few times, pick the routine that fits your style the closest and purchase a wallet that works for that routine. I like the hip pocket, Fred Kaps style wallet the best and the Dan Fleshman routine.

Degree of Difficulty

Intermediate to Advanced. The sleights are not super, knuckle-busters but you'll need a lot of practice to polish these routines.

Teaching

Good to Great. I really enjoyed wathcing Alex Elmsley as he is a legendary figure in card magic. Eddie Tullock is perhaps the hardest to follow simply because of his age; but he's still very sharp and Micheal Ammar interviews Eddie on the finer points of his routine. Micheal Ammar also has his own routine on this DVD and appears or is mentioned is several other routines on the DVD.

Quality of Effects

Average to excellent. A couple average routines but they are a couple killer routines as well.

Quantity of Effects

Realistically, you're only going to use one of the seven CTW routines but you've got some great material to choose from.

Jon Mendoza starts the fun with the Bendix Bombshell. This trick relies on a himber style of which John doesn't really explain the mechanics because it is a marketed item. Even though this is a good routine, I think it is the weakest since there doesn't seem to be any motivation for the trick. It starts with two signed cards. Two other cards are in play and they make up a very basic two card transposition effect. Then the routine abruptly ends with the two signed cards revealed from a zippered compartment in the wallet.

Alexander De Cova presents his Professional Card to Wallet routine. DeCova does demo this for a studio audience so you get a condensed demo presentation of his effect. He gets a signed card from the spectator. De Cova explains that he has a (large) wallet with an enveloped letter from his friend. DeCova opens the wallet, opens the envelop and remove a letter and some varied, casino playing cards that his friend has sent. The signed card is the last card in the small stack of cards. It's a novel effect and the most elaborate set-up of the seven routines.

Micheal Ammar presents his Card in Wallet routine that is really a torn and restored card effect where the almost restored card appears in his un-gimmicked wallet. A spectator is asked to tear their selected card into eigths. The spectator is given a piece of the card as a reciept. Ammar paperclips the pieces together. A wave of the hand and the paperclips turn into a credit card. Hmmm....if the credit card is here then the card must be in my wallet. Cleanly and in full view, Ammar removes his wallet and produces the card. The card is restored except for the corner that the spectator is holding. As you would expect from Ammar, this is a very entertaining routine.

I'm not familiar with Eddie Tullock but apparently he specializes in tradeshow magic. This is a good routine but not my favorite. The specatator scans a quickly spread deck of cards and is asked think of any one card they see. Eddie guesses wrong the first time which gives him an oppurtunity to patter a bit and set up the climax. He then asks the spectator what their card really was. Eddie opens his wallet and removes their thought of card. I think this could be a winnner with a creative presentation. The wallet is un-gimmicked.

Dan Fleshman's Momma In My Wallet is my personal favorite routine on this disk because it is accessible (not too difficult) and has two nice effects. The trick is basically the Chicago Opener that ends with a CTW. The Chicago opener is a two phase routine. One minor problem, the card selected in the first phase has transformed into the second card. What happened to the first card? Fleshman attempts to tie up that loose end by revealing the card from a zippered compartment in his wallet. He has taken a classic trick in card magic and made it one phase better!

Alex Elmsley presents an ultra-fast signed CTW routine that looks pretty impossible. This is probably the most technically challenging routine but it te pay-off will be worth the effort.

Eric DeCamps presents the final routine which looks to have been filmed in the early 1980s.
Obviously DeCamps is extremely talented but I felt like I was watching Dean Martin do magic. Of course, this is obviously a very old video tape so perhaps his style played well back in the 80s. DeCamps instruction is very good though and he provides some great CTW tips and psychology. He has 3 spectators select cards with one of the specs signing the card. After shots the first two cards spinning into the air, he follows a great full deck vanish. This motivates the question; where is the third card? In the wallet of course. Old video and style aside, this is a well taught routine.

Production

Well the minor downside to a "greatest hits" format is that L&L Publishing is pulling material from many different productions from different time periods. Most of the clips are of good quality however the Eric DeCamps is very dated looking. You'll feel like humming the theme to VH-1's I Love The 80s.

The menu system is simple and very functional. L&L provides extensive previews from their product offerings.

Overall: 9/10

Yet another great addition to the WGMBTWGM series by L&L Publishing. The low price on these DVDs make them a great buy. Collect 'em all!

DVD Review: Greg Wilson's Double Take

The Double Lift (DL) is arguably the most widely used sleight in all of card magic. Poorly executed, you'll look like a complete dufus. Perfectly executed and you look like a wizard. Seemingly a simple move, the DL is a tough move to polish to perfection and difficult to nail 100% of the time. For century's, the classic pass was thought to be the most indispensable move but move over pass; the DL is now the king of cards.

Here's a little sample of me performing the Knock-Out DL. Not that I perform it perfectly but it's the one that works best for me. I can hit the double 100% of the time and then handle the double as a single with confidence.



This DVD is a timeless masterpiece.

Marketing Fluff

Gregory Wilson's Double Take puts the world's greatest double lifts at your fingertips. ..even if you're all thumbs. This step-by-step instructional video is packed with more than 90 minutes of dynamic material you can perform anytime, anywhere, with any deck. For nearly two decades Gregory has been teaching his unique style of magic, as well as performing for many Fortune 500 companies. And as your personal coach, Gregory will teach you the nuances of more than 25 different double lifts ~ choose your favorites: from the top of the deck, from the bottom, from the middle, from a fan, from the table, to the table, and even doubles that flip through the air from hand-to-hand! If you're a beginner, or have never even picked up a deck of cards, you can easily perform miracles in minutes with Greg's Quick Start-Up Section. The more advanced will enjoy studying the techniques of the masters, including Dai Vernon, Ed Mario, Martin Nash, and many others.

Degree of Difficulty

Beginner to Expert. Wilson puts puts things in order. He assumes you don't even know what a "mechanics grip" is. He ties the introductory material up with a "quick start" segment providing three easy to learn miracles. The material gets harder from here on out. You'll find that some moves and routines have an steep learning curve.

The cool thing is, I really think a beginner could get this DVD as a starting point. There is no more important move than the DL in card magic. This will give the beginner an arsenal of hard hitting close-up magic. Then, as the novice advances, they can work on the more advanced material. Literally, this DVD will take you a long, long time to learn and perfect all of the material.

And the advanced card mage will love the Brittanica-like index of DL knowledge as well.

Teaching

Greg Wilson is like a tenured Harvard professor - only a lot more fun and a lot less boring! Each routine is performed in front of a small audience of attractive ladies donned in vintage 80s attire. He is constantly cracking jokes and flirting with the pretty ladies in his audience. During the instructional sections, Gregory moves slowly through all moves, usually several times in both slow-mo and in tempo.

Wilson has a gift for teaching. He really speaks to the physics of each move; where the pressure is applied, what direction the pressure is taking, what are the opposing pressure points, where the pivot points are located, what the sound of a card should sound like.

Wilson is also good at crediting the creators of the moves. He gives a little lecture on reading books. He downplays his own video as "supplemental" to the real material; the classic books of magic. I actually disagree with him on this one. I think magic DVDs have surpassed books as the primary source of magical instruction with books now as the supplemental resources. But that's a debate for another time and place. Wilson is obviously a very gracious and humble man - sometimes a seemingly rare trait in today's world.

Quantity of Effects

Wow! Like Wilson's Ring Leader DVD is to "ring and string" magic, this is THE encyclopedia of the Double Lift. As if the sleights weren't enough, there are a bunch of great tricks in this gem. It took me well over an hour to document the sleights and tricks that contained with this vast grimoire. So here they are:

Introduction - Greg telling you what he's about to teach you.

Basic DL - Greg does a good job explaining basic DL beginning with the mechanics of the mechanics grip and the thumb count from the biddle grip. It's a littler different from the basic DL I learned.
Strike DL - a very popular DL because of the natural moption and no get ready. Personally, I don't like it because I occasionally get a triple (Yeah, I know...lack of practice!)
Grip Strike DL - enhanced version of the Strike that adds a push over move.
Knock-Out DL - Greg's favorite and my fav as well. A litle flashy and always works for me.
The Basic Replacement - perhaps I wasn't giving this part of the DL enough attention!
Quick Start-up - three tricks to get your feet wet. These are really good tricks so don't overlook them. Includes a very nice in-the-spectators-hand transposition.

• Simple Location Trick
• Simple Reverse Trick
• Simple Switch Trick

More replacements...

Maintaining a break after the replacement
Bernard Bilis Replacement - a flourishy replacement.
Revolve Replacement - flourishy & emphasizes the singularity of of the double (that's an oxymoron!)
Juan Tameriz Replacement - cool out jogged replacement.
Racherbaumer Replacement - another cool out jogged replacement.
Vernon Offset Replacement - Yet another reason why Vernon was a genius. Pick up a double and display it away from the deck in the air for the crowd. Table it and place the cardbox on top of the tabled card. Guess what? It's already back in the deck!

Get Readys...

No Brainer DL
Auto DL
Pinky Count DL
Thumb Count DL

More doubles...

Double from a Fan
DL from a Dribble
Dai Vernon's DL
Color Changes
DL without a Pack
Tabled DLs

Tricks...

Phoenix Aces - pluck 4 Aces from the air, one at a time. This is not a back palm production. It uses some sleights that I was not familiar with.

Weighted Aces - Wilson's version of Doc Daley's Last Trick. Using 4 aces, demonstrate your ability to tell which ace is which by weight alone. Follow up with some amazing"in the spectator's hand" transpositions. Very good trick I use all the time.

Two Wrongs Make A Right - Starts out as a pick a card trick. Only problem is that you guess wrong twice. Take the two wrong cards place face up on the deck. Snap your fingers over the deck and the correct card appears from thin air, face up on the top of the deck.

Jumping Gemini (Darwin Ortiz) - Reminds me of the Color Monte on steroids. This is a difficult trick to master. Not because of the sleights but because there are so many sequences to remember. Miss one sequence and you're fricked. As a little bonus, Wilson does a great job teaching the Elmsley count.

Ambitious Card Routine

Greg performs his ACR but does provide the explanation. It's a pretty good routine that ends in a card to card box. If you don't know the ACR I would recommend the Worlds Greatest Magic by the Worlds Greatest Magicians: The Ambitious Card DVD from L&L Publishing.

Bonus Tricks...

Bizarre Twist (Paul Harris) - I loved this trick. You start with 3 red backed cards. You slide a black seven face down between two face down red aces. Twist the cards apart and the seven is now face up. Do the sequence again and this time when you flip the seven over it is a blue backed card.

Stop Trick - Drop a face down on the table. To the side, deal the remaining cards onto the table and ask the spectator to say stop. Drop the stop card onto the first tabled card. Flip them over and they are both red aces.

Double Monte - Two red aces and a black queen. You show the black queen and table it face down. You then show that you have two red aces in your hand. A quick spin and the two red aces become one black queen. You flip the tabled card over and it is the two red aces.


Quality of Effects

Even the simple introductory tricks are keepers. The people in the audience audibly gasp in each and every trick.

Production Quality

This is the only weak point in my review. This is Wilson's first video back from the days of VHS tapes and when Wilson had more hair! This DVD was obviously recorded from tape and it shows. That being said, the tape quality is pretty good throughout most of the DVD. The sub titles and transitions are were pretty good for it's time. I've seen much worse on DVDs produced in the last couple years.

The DVD menus are pretty complete. Not all of the break points are in the menu but most are and can can skip through to the ones that are not given menu selections.

Overall: 9.5/10

My highest rating so far. This is a resource that you will use for years to come. The tricks alone would make a solid DVD. If you need a resource to determine the best DL for you, this is going to fit the bill. Sure, there may be some lessor known DLs that are not covered here but there is sure to be a few that you'll come to cherish.

Penguin Magic sells this DVD for a paltry $26. That's what you call a no-brainer purchase.

Learning the Pass - Part 1

I'm finally getting around to learning one of the oldest manuevers in the book; The Pass. I had not encountered many tricks that required a pass. It seems most tricks rely on double lifts, false cuts, false counts and false shuffles. To get a feel for the power of the pass, check out the following video of a brilliantly executed pass by Jonathan Kam.



The pass is a type of card control. Controls allow the mage to move about a specific card(s) within the deck without the spectator realizing the movement is occuring. Card controls date back at least as far as was published in Scot's Discoverie of Witchcraft in 1584.

Royal Road to Card Magic (RRTCM) provides a short history of the pass, implying that for centuries the pass was the most important of all sleights. Early card workers were taught that all other sleights were not important until this very difficult move was mastered. However, RRTCM makes a strong case for not learning the pass until many other more basic sleights are perfected.

In my training as a cardician, I'm certainly going to agree that the pass has not been that important so far. However, I finally came across a really nice Ambitious Card Routine (ACR) sequence that relies on the pass. Instead of the typical ACR sequence of a face down card placed into the middle, with this sequence, a face-up card is placed into the deck. The pass is used to bring the card from the middle to the top. Time to learn the pass.

I found a forum post that catalogued over 100 methods of executing the pass. The grand daddy of them all is the Classic Pass. After many hours of practice, this method is very clumsy to me still. This is going to take months or even years to perfect...argg!

The ACR sequence that I want to learn is from Tommy Wonder's delightful ACR. He uses a rollover pass. I like the look of that pass so I set out to learn the turnover pass. Hmmm...a quick Google search and look around youtube.com and there is no consensus as to what a turnover pass looks like.

So basically I'm making up my own rollover pass, I'm taking a passing action that feels a little more natural to me than the classic pass and continuing with a rollover of the deck. This seems to be a good beginner pass because the motion of the turnover hides the motion of the pass. The rollover movement of the deck matches the patter of the sequence so it all fits nicely.

Unfortunately, this simplified pass looks like weeks of practice to pull off adequately. In the meantime, I'll keep working the classic pass and let you all know how it's going. Perhaps I will post a video of my beginner rollover pass at the early stages and you can tear it apart. Then we can compare it after a few months of practice.

Practice Sessions: Required Gear

I loved the imagery in the first Harry Potter novel when Harry first learns that he is going off to school to learn magic. Just like when my kids start each school year, Hogwarts students were required to purchase a basic set of magical books and supplies to begin their foray into wizardry; a wand, a cauldron (pewter, standard size 2) and the Standard Book of Spells were amoung the list. If you're just starting out, like I was not all too long ago, it's hard to know what you should purchase as you're basic set of magical apparatus.

If you ask 10 magicians you'll get ten different answers. After much painstaking research, I'm going to present my starting list of magical supplies. Cards and coins are a great place for a hobbyist or amateur to start because the are very visual, they use common items that people are familiar with and will allow you to build a repetoire of impressive effects however breaking the bank.

I wanted to set an initial budget of $30 so that anyone with a job or a few weeks of allowance will be able to get their foot in the door. My prices reflect the "street price" of the item and not the retail price.

Beginning Cards & Coins Supplies under $30

• 2-Pack Bicycle Playing Cards $4
• Coins (At least 6 Kennedy Half Dollars and a couple English Pennies) $5
• Royal Road To Card Magic $10
• Modern Coin Magic $10

This modest set of goodies provides enough material to keep a new mage on a budget busy for a year or more. My preference for learning is through DVDs but for $30 you get hundreds of tricks and sleights. Personally, I'm not yet a big fan of Royal Road. But for ten bucks, it is a tremendous value that is chock full of sleights of hand card magic and tricks. The concept is great; start at the beginning and work your way down the "Royal Road to Card Magic." I read it often but it's not an easy read when you've been spoiled by DVDs that provide a more complete learning process. However a single DVD is going to break the budget here. As far as books go, I really like Bobo's Modern Coin Magic.

Cards & Coins under $100

• One dozen Bicycles Playing Cards $15 (or as many packs as you can get for $15)
• Coins (At least 6 Kennedy Half Dollars and a couple English Pennies) $5
• Born to Perform Card Magic DVD $30
• In the Beginning There Were Coins DVD $30
• Royal Road To Card Magic $10
• Modern Coin Magic $10

If you've got a bigger budget, this school shopping list might be the way to go. This fits in with the my theory of learning magic - DVDs provide a superior learning experience with books to provide an incredible reference and trick library. The Born to Perform Card Magic DVD starts out at square one, how to holdthe deck and goes through the most basic and useful moves. It sums up the coursework with 4 killer routines. The In the Beginning There Were Coins DVD is similar to Born to Perform Card Magic DVD but with coins. The instruction is outstanding and there is enough material to keep a novice busting their knuckles for months.

Cards, Coins and Cups & Balls under $100

• 2-Pack Bicycle Playing Cards $4
• Coins (At least 6 Kennedy Half Dollars and a couple English Pennies) $5
• Royal Road To Card Magic $10
• Modern Coin Magic $10
• Cups and Balls (copper or brass) $15
• Complete Course in Magic with Cups & Balls DVD $38
• Wand $15

The back-to-school shopping list breaks out of the cards and coins. The coins and cards are covered in great detail but adds the age-old cups and balls materials. Everyone wants to learn coins and cards but the Cups and Balls exercise a wider variety of skills that can be the foundation of so many other great forms of magic. Cups and Balls cover almost all of the forms of magic; appearances, vanishes, misdirection, transpositions and teleporations. It also teaches you about piecing together routines builder so that the sum of the parts is greater than the whole.

I have included the Complete Course in Magic with Cups & Balls DVD. This DVD is taught by Eddy Ray who routinely gets criticized. However this a solid teaching DVD that covers a lot of material for under $40. There may be better DVDs on the subject but this is an outstanding value and fits our budget.

In case you're wondering, the wand is essential in most Cups and Balls routine. The wand is called The Magician's Wand with Brass Tips. It is heavily weighted on the ends which makes it a joy to spin but a pain if you drop it on your foot.

The DVDs mentioned in this blog entry are reviewed elsewhere on this blog.
http://magic-yeti.blogspot.com/2007/12/review-in-beginning-there-were-coins.html
http://magic-yeti.blogspot.com/2008/01/review-born-to-perform-card-magic-with.html
http://magic-yeti.blogspot.com/2007/12/review-complete-course-in-magic-with.html

FREE MAGIC TRICK - Angela's Premonition Card Trick

Another in my series of free tricks designed to get your feet wet. They are simple but effective tricks such as the kind you might find in a magic book in your local library.

If you are not a magician but want to learn, please read my blog entitled So you want to be a magician - START HERE. There is some important information that you must agree to before walking the path of the conjuring ways.

I don't know who to credit this trick to other than a colleague of mine, Angela. I'm calling it Angela's Premonition. If you know, please let me know so I can credit the creator of this trick. I've got a feeling the creator has been lost in the annals of time.

First, I'll quickly relate to you how Angela presented this trick to me and then I'll teach it to you. My boss Eric threw a little party at his house. Eric has been reading my blog and knew that I was into magic. So he ambushed me into doing a few tricks. Angela jumped at the chance to show us a trick she knew. I hate to say it, but Angela's trick fooled me badly.

This trick requires no sleights and uses the "one ahead" principle.

The Effect

Angela grabbed a packet of 10-14 cards from the top of the deck and dealt the cards face down onto a table in a random pattern. She asked the spectator to tap the 7 of Diamonds. She picked up the card that was tapped being sure NOT to show or flash it to the spectator. She then asked the spectator to tap the Queen of Clubs and then picked up that card. Angela then announced that she was picking up the 2 of Hearts and picked a card from the table. She then laid down the three cards, one at a time, onto the table showing that she now held the 7 of Diamonds, Queen of Clubs and the 2 of Hearts.

Angela then repeated the trick with the same pile of cards only this time they were different cards. She seemed to have a premonition of what card the spectators would tap!

The Secret

This trick requires no sleights, no trick cards, no duplicates and no stacked deck. It simply uses a "one ahead" principle that is used throughout magic. You may have guessed it already. I watched Angela do it four times before I figured the secret out. Of course, Angela should have followed the cardinal rule of magic; never repeat a trick!

After picking up the packet of 10-14 cards, Angela takes a peek at the bottom card. In the above example, Angela saw that the bottom card was the 7 of Diamonds. She dealt the cards in a random pattern on the table BUT she dealt the last card, the 7 of Diamonds, farthest away from the spectator. Angela remember exactly where she placed the 7.

Then she asked the spectator to tap the 7 of Diamonds. Angela later explained that she has never had anyone tap the last card dealt and to place it furthest away. Sure enough the spectator would always tap a card from the middle.

When you pick up the tapped card, be sure not to show it. This card will not be the 7 of Diamonds - if it is, the trick is ruined - time to bail out! Simply look at the card. and ask the spectator to tap whatever card you just picked up. Repeat the procedure again for the second card. Lastly you announce, "Now I'm going to pick up the 2 of Hearts" or whatever the last card you picked up was. You pick up the 7 of Diamonds from it's known location.

TIP: You may want to review them first and rearrange them in your hand so that the spectator doesn't see you reveal them in a different order than they were picked up. Perhaps say something like, "Let's see what you tapped." Perhaps moving the top card to the bottom a couple times and then lay them back down in the order they were picked up. I'm sure with a little practice you'll come up with a clever way to reveal the cards that obfuscates the secret.

Hopefully I explained that clearly enough. You've simply got a peek at one of the cards so you are "one ahead." That's why you have to pick up the last card. The spectator is fooled into thinking that they actually tapped the correct card as you requested them but you were just telling them to pick a card that you already held in your hand. This trick will perplex you friends so I say give Angela's Premonition a try at your next gathering of friends.

REVIEW: Packet Tricks & The Color Monte

Marketing Fluff

"Show three cards; one with a blue spot and two with a red spot. Explain that this is a game for gambling, and whoever finds the blue spot wins a dollar, but if that person is wrong, he must forfeit a dollar. Then explain that you were once taken by this game, and show how you were taken, losing three dollars because every time you thought you picked the blue card, it was red. So, you accused the man of not even having a blue card. He showed the bottom card as blue, so you lost another dollar! So, you said that if it was the card on the bottom, it couldn't be the one on top, but again, you lost another dollar! It is then showed as the center card as well, and by then, there's been six dollars lost. So, you said that you thought he was using more than three cards, but were proven wrong and lost another dollar. So, the gambler gave you another chance, double or nothing. He showed you that one card was red, another as blue, and all you had to do was name the color of the third card. Red, right? Wrong again! It's not red, nor is it anything anyone would expect!"

Degree of Difficulty

Beginner to moderate. This trick is a series of moves using one of the most basic sleights in all of card magic. Each sequence is very easy to pull off. The difficulty is in remembering the story (or patter) that motivates the routine. Practice 10-20 times and you should have it down and ready for showing your pals.

What's a Packet Trick?

A packet trick is a small set cards for a specific trick. Packet tricks are very easy to tuck away in your pocket so that you are always ready to entertain. Packets usually have specially made cards called "gaffs" of "gaffed" cards. Packet trick are usually inexpensive and provide a big impact so you have every reason to buy one. I would suggest Color Monte as a killer packet trick.

You'll probably want to find packet tricks that have Bicycle rider-backs if you use the popular Bicycle playing cards.

The Effect

The Color Monte comes with 3 cards. Instead of normal faces, two cards have a red diamond and one card has a blue diamond (or so it would seem).

This is a "follow the card" trick where you tell the spectator to keep an eye on the blue card. Unfortuately for the spectator, that blue card is elusive and hard to find. Then the red card becomes hard to find. At times, it appears that all cards are red or all blue. Finally, a red card is turned over and a blue card is turned over. The spectator is asked to guess the color of the last card. The spectator will most certainly be wrong as it is neither red or blue!

Overall: 8/10

For under $6 you get the cards, access to the private forum for this effect, a performance web video, and a instructional web video featuring Jay Noblezada. Jay is an excellent teacher and covers the set up and all of the sleights required.

REVIEW: Born To Perform Card Magic with Oz Pearlman

Marketing Fluff

"This DVD will start you at the beginning of card magic and take you to a working professional's level. You'll progress faster than ever before by focusing on the most powerful moves. This is a complete course in card magic without the filler. There's no reason to spend hundreds of dollars buying a set of 3 or 8 or 10 DVDs when you can learn the core skills (the ones that get used over and over again in thousands of tricks) on one DVD. This is that DVD."

"...once you've mastered these key moves you'll be able to perform anytime, anywhere, with just a regular deck of cards. Imagine how it's going to feel to have that power to entertain. This is a technology that changes you. It's like riding a bike, learning a new language, or flying an airplane. It's freedom... with a deck of cards."


Degree of Difficulty
Easy to Moderate. This DVD is targeted to someone with NO prior card handling skills to someone with some basic skills looking to round out their arsenal. This is a great choice for beginning card magic because covers the foundational skills required for sleight of hand card magic.

Teaching
Oz Pearlman is a great, young mind in magic and has solid teaching skills to pass on the knowledge. He covers each sleight in great detail and demonstrates several times from different angles. The lone exception is the Classic Pass which he goes over slowly, but only once. Pearlman recommends using outside resources to perfect this difficult maneuver.

Oz expertly demonstrates each routine for real spectators on the streets of Vegas. His performances will provide the motivation for learning the routines once you see how people react.

Quantity of Effects
There is a book you can buy that is considered by many to be the ultimate reference for card magic. The book is called Royal Road to Card Magic and can be found for $10. You'll get much, much more material than you would get on this 30$ DVD. However, I don't recommend doing that. Buy this DVD first and get then Royal Road to Card Magic as a reference guide to expand your card magic vocabulary once you've master the sleights on this DVD. You'll learn faster and with less frustration.

This DVD is like a beginner Lego set. All the essential blocks to build some small but impressive Lego creations. It starts with a selection of card handling techniques beginning with how to hold a deck of cards. You're going to learn the language of card magic; the grips, the breaks, cuts, forces and controls. Plus you'll learn just enough eye candy flourishes to give the illusion that you're an old hat at card magic. Plus you'll learn four full routines that make use of your new found skills.

The run time for this DVD is over 104 minutes. Here's the low down.

Fundamentals:

• Mechanic's Grip, Biddle Grip, Pinky Break, Thumb Break, Dribble to Secure a Break, Swing Cut, Swivel Cut, Double Lift, Top Palm

Controls:

• Classic Pass, Hindu Shuffle Pass, Double Undercut, One Handed Top Palm, Elmsley Count, Spread Cull, Swing Swivel Cut

Forces:

• Hindu Shuffle, Riffle Shuffle

Flourishes:

• 2 Handed Thumb Fan, Le Paul Spread, Springing the Cards, Erdnase Color Change, One Handed Thumb Fan, Hot Shot Cut [Daryl], Pendulum Cut [Hooser], Trinary Cut [Acer]

Routines:

• Ultimate Transpo, Two Card Monte, Biddle Trick, Ambitious Card

There is enough material here to keep a beginner busy for weeks or even months of practice. The routines are intermediate skill level so you won't learn and perform these in one day. I beg you not to perform these until you've practice each one dozens of times.

Quality of Effects
The routines that Pearlman selected are versions of some of the classic routines in card magic. Each routine has the potential to blow the minds of your spectators. I've used these routines dozens of times and they are potent.

The Biddle Trick is perhaps the easiest to learn and execute. The spectator makes a free choice from the deck. You slide the card up to give the spectator a view of their selection without taking a look yourself. You square up the deck explaining that you can use estimation techniques to locate their card. You narrow the selection down to four or five cards and ask the spectator to hold the pack. You show the five cards to the spectator and ask them to not to say anything. Once all five are shown you ask the spectator if one of the five cards was their card...indeed it was! Then you guess which one is the card...only you're wrong. You guess again...wrong! Things are looking bleak. Ultimately, the chosen card turns out not to be one of the 5 cards because it has disappeared. Only 4 cards remain in your hand. Their card, the missing card, turns up in the deck in the spectators hand upside down! This is a killer trick.

The Ultimate Transposition is another trick that happens in the hands of the spectator. The spectator is holding a 6 of Diamonds. You're holding a King of Hearts. Somehow they change places from your hand to theirs!

The Three Card Monte got it's start as a confidence game that street hustlers use to lighten the wallets of gullible people. Of course, magicians have ethics and don't hustle people but it makes for a great magic trick. This is a Two Card Monte that will leave you spectator laughing. This is a "follow the card" trick. Just when you think you know which card is which, they switch places in an impossible fashion.

For the newbie magician, an Ambitious Card Routines (commonly referred to as a ACR) consists of a very simple plot; place a signed card in the middle of the deck and it magically rises to the top of the deck. Each sequence in the ACR seems more impossible than the one before. Like the famous Cups and Balls routine, magicians have created many variations and climaxes over the years. This is a basic ACR but very fun and amazing for your audience and challenging to a beginner.

Production Quality
Solid production values. The DVD menuing is excellent. The angles are great.

You're also going to see these routines performed on the streets of Las Vegas for real tourists getting big laughs and eye popping reactions.

Overall: 8/10

For a beginner to intermediate magician or for an introduction to card magic I doubt you'll find much better instruction. The marketing fluff goes a bit far...you won't end up being a card pro but you will, with enough practice, have the power to entertain. I cut my teeth on this DVD - it was my first magic DVD. Many, many DVDs later and I still go back to this one to brush up on technique.

REVIEW: Worlds Greatest Magic - The Ambitious Card (DVD)

The full title of this DVD is a mouthful:

World's Greatest Magic By The World' Greatest Magicians:
The Secrets of The Ambitious Card

Say that fast, five times!

World's Greatest Magic By The World's Greatest Magicians is a series of DVDs by L&L Publishing that each focus on a famous trick or routine such as linking rings, McDonalds Aces, Stand-up magic, Coins Across, Cards Across, Zombie Ball, Coin Matrix, Chop Cup, and on and on. It's a really great idea - take new and classic footage of the best magicians all showing their own unique bend on a particular school of magic.

I recently purchased two in the series and I will cut to the chase; these are incredible DVDs and the price of each is stupid cheap (I paid $15 each). If you are interested in improving in a very specific form of magic these are the DVDs to own.

If you don't know what "taking a double" means or you don't know an Ambitious Card Routine (ACR) then you're probably not ready for this DVD. I would suggest purchasing Born to Perform Card Magic with Oz Pearlman which will provide you with a foundation in card magic and also teach you a basic ACR. Then buy this DVD! Even if you are a beginner the performances on this DVD will inspire you to learn.

For the newbie magician, an ACR consists of a very simple plot; place a signed card in the middle of the deck and it magically rises to the top of the deck. Each sequence in the ACR seems more impossible than the one before. Like the famous Cups and Balls routine, magicians have created many variations and climaxes over the years.

Degree of Difficulty
Moderate to Impossible. This DVD is targeted to someone with intermediate card handling skills. I would still recommend this to a beginner because there is so much to learn including the psychology of magic. The DVD does teach the basic routine so you can learn the ACR from this DVD. However, this is squarely aimed at the magician who is looking to interject some new life into their ACR.

One note on Tommy Wonder's climax sequence with the ring box. His sleight for bending a card into eighths in about 1.5 seconds will blow you away - he warns you that it will take a minimum of 50 decks of cards to achieve and perhaps as many as 200 decks to perfect the move!

Teaching
The teaching is outstanding. My favorites are Regal, Ammar and Tommy Wonder. Wonder's ACR is brilliant and he goes through the routine in detail. The real jewel here is Wonder's focus on the psychology. I just can't say enough good things about Wonder. Sadly, Tommy Wonder died in 2006.

Wonder's routine has a very slow, deliberate pace and he really does a great job of teaching why. Clearly he has perfected the timing, humor and subtle narrative that delights the spectators. Thirty plus years of perfecting the ACR and he reveals it in wonderful detail. It's a good contrast to Lorayne's lightening fast routine.

Quantity of Effects
The run time for this DVD is over 2 hours. There are nine magicians performing and teaching. With the exception of Dai Vernon, each magician performs and then teaches.

Tenacious Climber - David Regal
Ambitious Card - Harry Lorayne
Ambitious Card - Frank Garcia
Ambitious Card - Michael Ammar
Ambitious Card to Wallet - Paul Wilson
Ambitious Card - Doc Eason
Ambitious Card and Card to Card Case - Al Schneider
Ambitious Card Plus Ring Box - Tommy Wonder
Ambitious Card Story - Dai Vernon

Dai Vernon's section is more of a reminiscing of the past while showing segments & psychology of the ACR.

Quality of Effects

Top-shelf magic. All ACRs are very good but some are better than others.

Regal's Puppy Dog routine is really sharp and comedic. The spectator draws a puppy on the card and it always responds to it's master's call. This is a super fun ACR!

Lorayne ACR starts by forcing the ambitious card from behind his back. Then he goes through a dizzying sequence of moves. He is obviously a master but I tend to agree with Wonder that the slower pace has more impact. I could not keep up with what he was doing so I'm sure the spectator is overwhelmed. His teaching is solid.

Frank Garcia doesn't teach a routine but a couple moves that you can use to enhance your routine. Good stuff indeed!

Micheal Ammar's ACR is what I consider the classic routine that ends by crimping the card, placing the crimped card in the middle and having it "pop up" on top. If you are new to the ACR, this is probably the one to learn the basic routine. The performance and teaching is paced nicely.

Paul Wilson's ACR climaxes with a card to wallet sequence. The performance is okay but a little low key. However it is a really nice routine with some new twists including a gaffed card that is sure to produce some laughs. Now if I can just figure out where to buy his gaffed card!

Doc Eason is good at entertaining a crowd. I learned a lot just from watching him get the audience shouting, clapping and having a great time. He's full of great one-liners. His "card under glass" ending is classic misdirection - you'll leap for the rewind button on your DVD remote control.

Al Schneider's mechanics are a little different. It's a good routine but a little unnatural for me. He ends with a "card to card case" that might be a good alternative to your ending.

Tommy Wonder's ACR is the pinnacle of ACRs! Blew me away. His sleights and timing are impeccable. His one-liners are just brilliant. Wonder quips in his quirky Dutch accent "I'll do it this way so that you can see that all cheating is absolutely honest."

Wonder starts by setting a ring box on the table in plain view of the audience. He ends by making the card appear in the ring box in clear view of the audience. It is a mind boggling effect and causes a spontaneous standing ovation.

Card tricks do not get better than this.

Production Quality

Solid production values. There is some old video footage that is limited by the age of the taping technology. The newer footage is top notch. The DVD menuing is excellent.

Overall: 10/10

Ok, I've already gushed enough over this DVD. The performances and teaching are simply superb.

FREE MAGIC TRICK - The Best Card Trick Ever

Since this is a blog about amateur, hobbyist or beginning magic, I thought it would be fun to start a series of free tricks to get your feet wet.

Before you start read this early blog entitled So you want to be a magician - START HERE.

This series of free tricks are good first tricks. However, I encourage you to learn the really cool stuff that takes practice and skill. While hard to learn, these routines are the most eye-popping, jaw-dropping illusions and are thrilling to perform. So start with my blog entitled So you want to be a magician - START HERE. Then come back and learn this trick.

Here is a great, self-working magic trick that every beginner should know. I learned it as the "Best Card Trick Ever." I've also heard it referred to as the "21 Card Trick." While it's not the best trick ever, it is probably one of the best self-working tricks.

Even though it is self-working you will need to practice this 4-5 times or more to get comfortable with the presentation.

The "Best Card Trick Ever"

Set-up:

An ordinary deck of cards

Effect:

The spectator mentally selects a card from a stack of 21 cards (called a packet). The spectator shuffles the cards and hands the packet of 21 cards to the magician. The magician lays the cards into 3 columns of 7 cards and asks the spectator to point to the column with his selected card. The magician collects the cards and deals out the cards again and repeats this process two more times.

Note, the trick is done - the rest of the trick is pure acting on your part.

Now the magician deals out little piles of cards in a "star" shape. Here is where the fun begins. The spectator selects piles of cards to remove or keep. This process of removing card piles is continued until one pile is left. The magician separates the four remaining cards as asks the spectator to continue selecting cards that are removed until one card is left. Amazing, the magician flips over the last remaining card and the spectator gasps because it is their selected card. It appears that the spectator has randomly removed 20 cards and the last card remaining is their selected card.

Instructions:

Count out 21 cards and hand to the spectator. Tell them to shuffle the packet and mentally select a card. For kids and larger audiences, it may be a good idea to have the spectator write their select on a piece of paper so that the can reveal their choice at the end. That makes it a little more exciting to the rest of the audience. Take back the packet.

This is important, you must deal these 21 cards out the 3 rows of cards exactly as described here or the trick will not work. You must also pick up the cards in the order described.

Deal the cards face up into 3 columns, one row at a time, until you end up with 7 cards in each column. When dealing into a column, overlap the cards in each column. This will make it easy to keep the cards in the correct order as up pick them up. Ask the spectator to point to the column that contains his/her card.

Square up each card column into three piles - if you overlapped them they will be in the order dealt. Place one of the piles that the spectator did NOT select on top of the pile the spectator DID select. Then place that stack onto the remaining pile that the spectator did not select. In order words, the column of cards that the spectator selected should be in the MIDDLE. Therefore, the selected card is somewhere between the 7th and 15th card. You are going to repeat this process two more times.

Once again, deal the cards face up into 3 columns of 7 cards and repeat the process.

Once more time, deal the cards face up into 3 columns of 7 cards and repeat the process. Now their selected card has worked it's way to the middle of the packet. Stack up the cards as before and their card is the 11th card in the packet. At this point the trick is done - their card is the 11th card.

Some versions of this trick will have you turn over the 11th card and the trick is over. However add these next steps really misleads the spectator and makes this a true miracle.

Remember this one fact, do not forget where the 11th card is! If you forget the location, the trick will fail.

Create card stars by dealing four cards, face down in a little star-shaped pile. Create another star. Count the cards (quietly inside your head) and keep track of where the 11th card is located. You'll end up with 4 piles of 4 cards and the last pile will have 5.

Now you are going to give the illusion that you are turning the trick over to the spectator to control.

Ask the spectator to select two of the card stars.

IF one of the two card stars contains the 11th card then remove the other three card stars from the table. ELSE if one of the three remaining card stars contain the 11th card then remove the two card stars the the spectator pointed at.

Ask the spectator to select one of the remaining card stars.

IF the selected card star contains the 11th card then remove the other card stars from the table leaving just the one card star. ELSE if one of the other remaining card stars contain the 11th card then remove the card star the the spectator pointed at.

Continue this pattern until only one card star is remaining. Separate the 4 cards into a row keeping track of which one is the 11th card. Ask the spectator to select any two cards. Again, repeat the pattern of either keeping the two cards that contain the 11th card or removing the selected two if the 11th card is not one.

Now you are down to two cards. Ask the spectator to select one card. If they pick the 11th card, turn it over to reveal their card. If they pick the card that is not the 11th card, simply remove it from the table leaving just the 11th card and then reveal their card. This trick will fry their brain! Try it.

Magic Under the Christmas Tree

Christmas, that magical time of year. Magical, as in I finally get to order a bunch of magic stuff! My wife gave me a budget for Christmas this year and told me to figure out what I wanted. Upon informing my wife that I had placed an order for $155 worth of magic stuff she quickly chastised my reckless purchase.

"What's the big deal," I exclaimed. The order was well under my $200 gift budget. Come to find out, she really didn't mean to go and actually purchase what I wanted. Apparently, some of that budget was already allocated for things I "really" wanted like underwear and a new belt.

I foolishly thought that the remaining $45 would go towards other magical essentials; like a couple dozen Bicycles or some silks. After getting the "voice" (you long time married guys know the "voice," a tonal quality somewhere between disgust and fury) and the evil eye (you don't even have to be married to know that look), my wife told me that the remaining $45 had been already spent. Probably on socks, steak knives and an Old Spice gift pack.

But my woeful tale of Christmas' magic gifts doesn't end here. Oh no, it doesn't end. Yesterday, a little box from labeled Penguin Magic showed up at my door. My wife, in all of her Christmas wisdom, decided that she must immediately wrap my gifts and place them under the tree with a joyous little sticker that says "Don't open until x-mas!"

I doth protest this Christmas injustice! It's not like I don't know what's in that box. I argued that at least I should be able to keep the free promotional items that I received.

My next argument was simple and logical. I must inspect the shipping manifest to determine whether all magical items and apparatus were accounted for. Only one who truly knows magic, can account for all of the mysteries held within that little cardboard box. She bit on that subtle misdirection as I palmed a DVD into my breast pocket. Well, something like that happened.

My wife had acquiesced to my infallible logic. She said, "Okay, but just the free DVD." Now I had to make a quick decision. Think, think. I only get one so which one shall I tell her is the free DVD. Of course, I knew well that the free DVD was "Brian Tudor's Extreme Generation," a highly rated DVD treatise on extreme card manipulation.

Now Extreme Generation is the "Lemony Snicket's Series of Unfortunate Events" of magic DVDs. You don't really want it, don't order it, it's too hard, you can't do it, remove from cart now. Did I want that as my only source of new magic until Christmas morn? Hell no! Think, think.

After a few hasty milliseconds of indecision, I lunged for the "Double Take by Gregory Wilson" DVD. My DL needed some attention and this DVD had some routines I could actually show-off at Christmas dinner with the in-laws. "Yep, here's the free DVD!" I proudly exclaimed as I snagged the treasured DVD.

So far I am happy with my split second decision. My basic DL is so much better and I've learned a couple other DLs that will be an awesome addition to my arsenal of finger trickery. Although my appetite for magic is temporarily sated, I yearn for Christmas morning when my nimble fingers tear into a cornucopia of new magical knowledge and wisdom.

There is a lesson to be learned here - don't wait for your magical Christmas gifts to come to you - spend early and often before well meaning spouses or parents buy you that cool Scooby-Doo Chia Pet.

In case you are interested, that gaily wrapped shoebox under my tree contains the following magical bling:

On The Spot with Gregory Wilson (DVD)

Pyrotechnic Pasteboards with Gregory Wilson (DVD)

World Class Manipulations #1 with Gregory...just kidding...with Jeff McBride (DVD)

Worlds Greatest Magic - The Ambitious Card (DVD)

Worlds Greatest Magic - Stand Up Magic (DVD)

Two books, a silk and a set of Vernet Multiplying Balls

Merry Christmas, Happy Hanukkah and a Festive Festivus!

Konjurer

REVIEW: Visu-Antics DVD by Jim Pace

The Marketing Fluff

"Jim Pace is one of magic's most visual close-up artists. Working 4 restaurants per week for over 20 years has taught him to create flashy, attention-getting magic that makes audiences scream. It's magic that's low on set-up and high on pay-off. The video is jammed packed with some of the best gags, stunts, and magic routines you're ever going to see. Best of all, this stuff is easy and you'll wind up doing most of it!"

Since this blog is oriented towards beginning to intermediate magicians, I would say this DVD is going to be an average addition to your DVD library. If you are a working, walk around/restaurant magician, I think this DVD will be more valuable to you. Overall, your going to get some good, quick tricks with high impact.

Degree of Difficulty
Moderate. Some very easy tricks and some are going to require moderate practice depending on you skill level with coins and cards.

Teaching
Jim's style is easy-going with some dry wit. Overall he is easy to understand and explains the tricks in adequate detail. There is one uncomfortable moment in the video where Pace pulls a pocket watch out of his fly. It is out of place and a little creepy. In the end, Jim Pace is a likable guy who's seems to have been performing magic for a long, long time.

Quantity of Effects
You get reasonable value for your money as there are 20 effects. There is a real odd mix of stuff; coins, cards, sight gags, pen tricks and mentalism. I see this material as supplemental tricks; attention getters or quick hit tricks between your bread and butter routines. If you only find one or two usable tricks then you probably won't be happy with the DVD. However, I think anyone should be able to take away 5 or 6 really good tricks from this DVD.

Quality of Effects
You'll find some really good tricks and some ho-hum ones. Some of the tricks are not 100% guaranteed to work as they rely on certain principles that your spectator might not follow. Here are my favorites.

I have read other short reviews where the favorite seems to be Crushed. This involves the appearance and disappearance of a 20oz. soda or water bottle. This illusion is quick and eye-popping. Pace gives you a variation with a silk that looks pretty magical. Plus it makes a cool noise that gives you an audio component to the illusion.

The Impossible Color Change was almost worth the price of the DVD and has become my default color change. A wave of the hand and the card changes. I like this because of the economy of motion - unlike the Erdnase which requires a longer motion to achieve the change. Plus you can be much more dramatic with the magic wave than with an Erdnase.

Quick-o-Chink is a super fast coin matrix effect. Four coins are arranged in a typical coin matrix (square) pattern. A quick wave of your hands and all four coins jump under one hand - very cool indeed.

I don't remember seeing this vanish in Bobo's Modern Coin Magic. The TV Coin Vanish starts with a coin resting on a couple fingers, the coin is taken into the other hand. The first hand is opened to show that it is no longer in that hand. Then the other hand is opened to show that it is clean as well (sort of anyways :) Then the coin is plucked from mid-air. No sleeves or gimmicks are necessary.

The Bet involves a free selection of 3 cards by the spectator. The magi inserts the cards into the deck and the deck is squared. The magi pulls an valuable object from his pocket as a motivator for winning a bet. In one swift motion, the deck vanishes and the magi snaps the specators 3 cards from thin air.

If you're a seasoned pro (ie, someone who earns money doing magic) then you've seen most or all of the sleights on this DVD. For an amateur, you'll probably pick up a handful of new skills.

Production Quality
Poor. There is a single hand-held camera for most of the DVD. The camera is shaky but not overly annoying like in some other DVDs I own. Is owning a tripod too much to expect for a video producer these days? To show an alternate angle, the camera man simply walks to the new angle and Jim repeats the move. The menus have no style and no frills.

Overall: 6/10
As the name of the DVD implies, these are visual gags and effects. No five minute routines here - just smash 'em upside the head tricks. The material is probably most useful as supplemental material for a close up magician. Jim loses points for mediocre production quality and the overall usefulness of the material is not as good for amateurs as would be DVDs that specialize in a particular form of magic like just cups, just cards or just coins.

Watching some of the tricks your going to think "duh, that's kinda stupid." However these are Pace's time tested tricks that should impress an audience of lay people. As Jim frequently says "just give it a try."

So you want to be a magician? START HERE!

Where do you start when you want to become a magician? Well, first I think you must decide why it is you want to learn magic:

a) I want to impress chicks/dudes at school
b) I want to be the next Criss Angel or David Blaine
c) Because I love magic

If you answered a) then you picked a great answer! Too bad you're not cut out for magic though. If you picked b) then you have lofty goals but I doubt you'll get there because you didn't pick c).

c) is the best answer and THE place to start.

Note that a) and b) are the results of c).

To be a good magician you'll need to develop a love and respect for the art of magic. Plus you'll need patience and a strong work ethic in order to put in the hours of practice necessary to get to the point where you can perform in front of another person.

If you think you are ready for the next step, repeat after me...

As a magician I promise never to reveal the secret of any illusion to a non-magician, unless that one swears to uphold the Magician's Oath in turn. I promise never to perform any illusion for any non-magician without first practicing the effect until I can perform it well enough to maintain the illusion of magic.

This oath is sacred and must be followed. As in all things we must live by principles and morals and that set us apart from all other living creatures. There are some key ideals in this oath that merit your attention.

Never reveal. People will ask you for the secret, perhaps beg you. But they don't really want to know. Once you tell the secret a couple things will happen:

1. You will no longer be respected as a magician by the spectator.
2. The illusion is shattered and the entertainment value is gone.
3. Every trick you do after that will not be as impressive to the spectator.
   
4. You've let down you brothers and sisters in the fraternity of magic.
   

The secret is never as impressive as the illusion so don't ruin it for the audience.

Next, find two or three good tricks and practice them until your fingers are raw.

1. Practice in front of the mirror
2. Practice without the mirror
3. Use a camcorder to record your practice sessions, record from different angles, review the video and fix the mistakes
4. Work on the patter (your narration of the trick) make it interesting and rehearse it dozens of times until it flows from you without thought
5. Make the trick your own. Come up with your own patter, your own slant and add your own character.
   
6. When you think that you are ready to perform the trick, go to step one and repeat.

A good trick will take weeks or months to perform. I read comments from young mages on forums that speak of a trick like this.

This is the best trick ever, I was performing it flawlessly in 5 minutes after I got it!

First, it probably isn't the "best trick ever." No best-trick-ever takes 5 minutes to perfect. And you did not perform it flawlessly. If you watched it in front of a mirror or camcorder, you would have known that you were not as flawless as you thought.

Next step. By now you probably really enjoyed one of the tricks more than the others. Focus on that style of magic; be it cards, coins or reading minds. Go out and buy the "bible" for that form of magic. They are usually inexpensive and you get dozens of magic tricks for your money as well as the bread and butter training. Or if you are more of a visual learner, like me, get a DVD that covers the same material as in the books. Here are some examples:

Books:
Modern Coin Magic - J.B. Bobo
The Royal Road To Card Magic - Hugard & Braue
Practical Mental Magic - Ted Annemann

DVDs:
Born to Perform Card Magic - Oz Perleman
In the Beginning There Were Coins - Jay Noblezada

Lastly step before performing a trick; watch the masters. We live in the Internet age. Go out to youtube.com and watch other magicians perform the same effect - especially the masters of the craft!

If you study one form of magic for 1-2 months and you are willing to put in an hour or two each day, you'll be ready to begin impressing your friends and co-workers. Don't try to learn 20 tricks - just 2-3 killer tricks to get your feet wet and you'll fry people's brains with the simplest of illusions.

Note: In The Linking Rings section to the right is a link to the Theory 11 Beginning Magician's video. This is highly recommended as a place to start.